Archive for October, 2007

Great Tool for Audio Slideshows

Oct 25 2007 Published by under Uncategorized

I created the slideshow below with Soundslides, a “rapid production tool for still image and audio web presentations.”

Coleman Creek Slideshow

view the full-screen version here >>

If you really want to get technical, you can always opt for custom flash development or even SlideshowPro / Director, but the Soundslides application is amazingly simple.

In short, here’s how you use it:

1. Pick an image folder
2. Pick an mp3
3. Save

It sizes your images, and automatically adjusts the duration of each slide depending on the length of your audio. Not to mention all kinds of display and export options, and the ability to drag / drop / arrange your photos in any order.

Soundslides

The download is free and functional, and the purchase price is $70. Well worth it, for those of us who wear many hats and haven’t the time for custom development. It affords you the luxury of focusing on photography and audio, and not the delivery.

About my slideshow

The example above was my first attempt using the software, and it turned out ok. In this case, a reporter and I met with the group at the creek. The reporter recorded interviews with my favorite portable recording device, and I walked around taking sub-par photographs.

Back at the office, I imported around 20 minutes of mp3 audio and spent a few hours editing it down to 3 minutes with Audacity. As for the photos, we had over 200 to start with, and culled the final selection down to 50 or so.

Resources & Examples

All in all, Soundslides is a great app for people on tight budgets and timelines. Some might disagree, but I think, depending on the nature of the story, a well produced audio slideshow can communicate better than video.

For anybody considering giving it a try, it’s always helpful to watch a few good examples:

NPPA: Best of Photojournalism 2007 Audio Slideshow Winners (Smaller Affiliated Sites)

NPPA: Best of Photojournalism 2007 Audio Slideshow Winners (Large Affiliated Sites)

Juneau Empire Slideshows

Star Tribune Slideshows

Cape Cod Online Slideshows

New York Times Slideshows

Arkansas Democrat Gazette Slideshows

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WordPress Brothers in Arms

Oct 19 2007 Published by under Uncategorized

Reading the College Web Editor post this morning about lightweight WordPress development going on at Concordia St Paul University, …it made me jealous.

“Their CMS was bulky and not friendly enough to carry the project. So they turned to WordPress. The result is the beautiful Freshly Squeezed, a student blogger site.”

“…Next, they tackled something a bit different: a magazine site. Adding Flickr photos integration, cleverly using categories and custom fields, they put together Concordia St. Paul Magazine.

Concordia St. Paul Magazine

The categories control where an article goes (Feature Stories, Faculty News, etc.) and which issue they belong to (like Summer 2007). The custom fields store information about cover photos. It’s a very simplistic set up, but it serves the purpose.”

I’m sure many university web teams are working with WordPress on all manner of projects.  We are.  Our magazine is a WordPress powered site, and so are all of our redesigned department web sites.  Moving forward, it’s our base cms platform.  All manner of custom field integration and top-level control across over 50 sites and growing every day.

Seeing the beautiful work implemented by the Concordia St Paul developers though, is inspiring.  And to know that we are using the same tools, ..is a motivator for me.   It shows what’s possible.

Drew Geraets and Thomas Knoll, are both developers at Concordia St Paul.  Those blogs are worth a look.  I’m adding them to my feed reader, thats for sure.  Great work guys.

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Web Development by Committee?

Oct 16 2007 Published by under Uncategorized

A nice little argument is going on at the new Interactive Media for Higher Education blog. Bystanders of passionate arguments can gain poinyant, albeit entertaining insights, and this argument is no exception.

Design by CommitteeSeth Meranda, who is behind the blog, is the Assistant Director for Interactive Media at The University of Nebraska-Lincoln Office of Admissions.

He references a Seth Grodin post that outlines ten principles to follow in order to create a great website and takes issue with Seth’s blanket statement that web design by committee is always a bad thing.

Grodin’s first principle was:

1. Fire the committee. No great website in history has been conceived of by more than three people. Not one. This is a dealbreaker.

Meranda disagrees, and says:

Any website supporting the open source philosophy goes against this thought. If two heads are better than one, what about 200?

This was the philosophy behind the University of Nebraska-Lincoln’s latest web redesign. A network of qualified designers and developers created the new site, and they continue to enhance on a daily basis. There are over 200 members of this “committee” and and the website has garnered national attention.

…Embrace the committee; the more qualified designers and developers working toward a common goal, the better. Find your developers on campus, get them in a room together and outline your vision. Those who want to be part of your goal should be tapped to help with a redesign. Empower them; you will find this non-paid committee will produce a far better outcome than a hired designer (especially at the price).

Continue to the comments section of the post though, and that’s where the fun starts. I think the critical point here is the blanket statement that all websites build by committee are bad. I think the anti-committee approach from the 10-principles post is speaking more to committees made up of individuals clueless about the web in general, ..all of them wielding influence over the design of a website. On the other hand, Meranda is pro-committee, but notice that his idea of a committee is one made up of “qualified designers and developers.”

I’ll interject my opinion now. Because I’ve seen this scenario play out, for better and for worse.

I think committees and meetings have the unique ability of neutering almost any creative endeavor. The situation at the university where I work, in terms of results-driven design freedom and accountability, is awesome, but in the past, with previous employers I’ve worked on great projects that in the end, were ruined by committee, ..by one form or fashion of groupthink.

It’s a democratic design process wherein everybody has a say, and everybody feels an obligation to leave their mark, change something, alter the headline, enlarge the logo, ..this obligation stemming most often from a pure desire to justify being asked in the first place, to justify a seat at the table. Because we all know that management is on the lookout for leadership qualities, and decision makers with leadership skills, you know, they get the payraise, and the promotion, and the Dodge Stratus. So go forth and edit. Go forth and leave your mark on the project.

If you’re lucky, your work might emerge from such a committee and still retain a measure of spark, but odds are, the finished piece will be all things safe, predictable, and without soul.

design by committee
An article titled One of Us is Smarter Than All of Us takes on this topic. It’s fairly straightforward and convincing:

“More ant interaction equals more sophisticated behavior. It’s similar to flocking behavior, of course, where birds follow very simple rules but complex behavior emerges.

And that’s all great and intuitive… until you get to humans. Humans, he said, demonstrate the opposite principle: more interactions equals dumber behavior. When we come together and interact as a group seeking consensus, we lose sophistication and intelligence. Ants get smarter while we get dumber.”

corporate meetings

There is no absolute truth here. The statement that “all websites built by committee are bad”, is open ended. What is meant by “built”? Are we talking about design? Is it content priority? Is it navigation? Content? And what is meant by “committee”? Just a steering group who approve or disapprove a final product? Or a group of polished web developers? Or a meddling group of nitpicking suits who prefer consensus over quality?

To contradict almost everything I’ve said, now for another read that promotes group web projects because they leave behind a sense of ownership by all involved. The benefits being obvious:

4. Use participative design to foster “ownership”

There are many forms of communication and not all will avoid the resistance to change. If communication is one-way – from the people imposing change down to the users – resistance is virtually guaranteed. And it’s no good faking two-way communication with a couple of open question and answer sessions and a suggestion box. What you want is real involvement throughout the process by the people who will be affected by the change.

…The more participation there is by the user community, the more that community feels some control over the change.

This is a basic principle of participative design. When the people affected by a change feel ownership of the change because they were part of its design and development, they will more readily support the behavioral changes necessary to make the system a success.

Associated with this sense of ownership is the value of a shared vision. If the body of people who will be affected by a change understand the intended future state and are convinced of its benefits, then the energy and excitement within the group can drive the transition forward. This is even more so, of course, if the users created the vision in the first place.”

Those are very good points. The only concern that comes to mind is: Ok, everybody was involved and had a hand in this “project”, and we all feel ownership and pride in it, but maybe it still sucks. The ultimate judge will be whether or not the finished project meets it’s goal(s). Do those goals hinge on the satisfaction of users of the website, or the consensus and pacification of the committee who built it?

My final thoughts are: there is no golden guideline. Each situation and each web project is unique. Some endeavors benefit with direction and collaboration from a collective. Some don’t. Sometimes smart people will make stupid decisions as a group. Other times not.

It comes down to group chemistry. And judging from my high school transcript, chemistry is complicated stuff.

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Does “Interactive” Mean Flash?

Oct 08 2007 Published by under Uncategorized

Communication Arts: Interactive AnnualAs always, I’m mildly excited then completely disappointed by the Interactive Annual of Communication Arts magazine. This judgment is strictly centered on the winning entries they’ve chosen however, and not on the articles. The articles are always great.

Each Interactive Annual never fails in catering to the big corporate flash website(s). I’d like to see more standards-based accessible projects featured in the annual, and I know that I’m not alone in that desire. Looking over the winning entries, we’re guided to believe that cutting edge interactive communication is almost always flash-driven, …and that’s an arrogant notion, one disconnected from reality.

Additional Reading:

But then again, the articles. Yes the articles. Here are a few of my favorite quotes from this issue:

“My god, if I see just one more person walk up and talk straight to the camera and say, ‘Thanks so much for coming to this web site…” Naughton said. “Be a little more creative please.”


The latest buzz words coming out of clients’ mouths sent more than one pair of eyes rolling towards the ceiling during my interviews. “It’s always ‘I want a viral video, ‘ followed by ‘and I want a social network,’ Anderson said. “Our role is to come back to clients with a communication strategy that makes sense for what they’ve asked us to solve. That may or may not include a social network. ‘We’re not going to build you a social network because we don’t think it’s anything people will socialize about’.”

“I saw a lot of sites that took a long time to load,” said Elizabeth Casto, best-selling Web design author at Cookwood Press, in Ashfield Massachusetts. ” Then, once they loaded, they’re peripheral to what they’re talking about. They’re games. It seems they’re throwing anything at you to see if you’ll stay for two more seconds. I don’t want to play games. The sites that drew my attention were beautiful, but also told me something.”


It used to be that the online was supporting offline, “Naughton said. “now offline is supporting online; and yes, clients are asking for it.”"The web has become the center point of most campaigns because it’s a place to really emotionally connect with consumers,” Zada added. “Telling a story in 30 seconds is going away. TV is still an important medium to get your message to everybody, but when you start to think about 18-20 minutes of engagement, that’s what the web is really good for.”

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My Favorite Portable Recording Device

Oct 05 2007 Published by under Uncategorized

Several months ago I happened upon a website where you can download free sound effects: The Freesound Project.

The Freesound Project, an internet community supporting free exchange of sounds by musicians, sound artists and researchers, has been launched by the Music Technology Group of Pompeu Fabra University. A web site located at http://freesound.iua.upf.edu/ allows anyone to participate by contributing and downloading sounds.

A competition they were running at the time, an audio capturing competition that is, offered up a grand prize for the winner, consisting of top-notch recording equipment. Thats when I found out about the MicroTrack 24/96, a most awesome compact recording device that essentially puts what used to require a backpack filled with recording equipment into the palm of your hand.

MicroTrack 24/96

This baby “records via balanced line inputs or built-in high-fidelity microphone preamps complete with phantom power for studio-quality microphones, ..combining quality beyond that of DAT recording with the convenience and cost-effectiveness of personal digital recorders for the ultimate solution in mobile recording.”

Figuring the FreeSound Project people knew what they were talking about, I still did a fair amount of research before submitting a $300 budget request. Everybody seems to agree. This thing is pretty good:

http://www.vanderbilt.edu/itunesu/hardware.html
http://digitalmedia.oreilly.com/2005/11/30/m-audio-microtrack-review.html
http://huskynet.stcloudstate.edu/instructional/podcast/create.asp
http://becast.betech.virginia.edu/index.php/?p=31#more-31

Mine came in the mail yesterday, and from the simple tests I’ve conducted, it’s going to be great not only for recording interviews and podcasts, but for capturing ambient sounds from events and performances on campus. And batteries.? Ha! Plugging the USB cable into a computer or the wall adaptor puts the unit into charging mode.

Maybe you’ve heard pieces of NPR’s Soundclips: Audio Experiences series? Well, just listening to things I’ve already recorded with the MicroTrack 24/96, …yeah it’s that good.

A little bit from a recent review of the 24/96:

So what’s a field recorder? Here’s my definition: a device that lets you make a recording in a field. As in: no electricity, no roads, no buildings, no shelter, no access to any gear that you cannot carry on your back. That means a field recorder should be small, lightweight, and rugged. It should have either a built-in microphone or decent microphone preamps; ideally it will have both. Phantom power (for driving condenser mics) is a plus, as are line inputs.

Recordings must be on a par with broadcast quality or better — no 8-bit voice recorders for me. The recorder must support both compressed and uncompressed audio; computer connectivity is a plus. It should be butt-simple to use so you don’t miss the perfect quote, ivorybill mating call, or amazing song while you fumble with the controls. It must have sufficient recording capacity to capture an extended speech or musical performance, and the battery should last a long, long time. Did I mention it should be small?

Because I love field recording — one of my first jobs was documenting the 1974 National Fiddle Championships for NPR — I jumped at the chance to review M-Audio’s new MicroTrack 24/96. That I had an extended trip planned to Maui with several interesting recording opportunities was icing on the cake.

beach recording

handheld recorder

M-Audio’s stereo T-mic does a good job for informal recording situations (hear some examples)

Not that this post is just, me bragging about my new toy. Well, yes. it is.

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